BtM - 2003 Script created with Final Draft by Final Draft, Inc.
[previous | bottom] EXT. THE RIVER - NOON The sun beats down upon the river - dry and brutally hot. It is a solemn occasion. JOHN is standing waist deep in the river. KARL is at the river's edge. All along the banks, the Essenes stand in silent witness. The river flows sluggishly toward the south. JOHN beckons KARL. Beads of sweat form on KARL's forehead as he lowers himself into the river and walks toward JOHN. As KARL nears JOHN, he slips on a rock on the river bottom. JOHN reaches out to steady him. KARL's head slips briefly below the surface. His mouth fills with water. He begins to sputter and choke. JOHN (shouting) Emmanuel! The spirit of Adonai is with you! I can feel His power. His glory. It is strong within you. KARL can't catch his breath and begins to panic. JOHN is holding him upright by both arms. KARL's face drains of all color. Raising his own arms, he falls forward grabbing JOHN. KARL John! You must baptize me! JOHN's eyes widen in surprise. All the Essenes on the riverbank, as one, begin to hum and sway from side to side. There are tears in KARL's eyes. JOHN makes a decision. He puts his hands on KARL's shoulders and pushes him below the surface. JOHN (loudly) In the sight of Adonai! In the spirit of His will! You are baptized! CUT TO: EXT. UNDER THE SURFACE OF THE RIVER - CONTINUOUS Muffled by the water, KARL hears JOHN's cries and the response of the Essenes. KARL loses his breath - his mouth opens and he begins to swallow water. Suddenly ... CUT TO: EXT. ABOVE THE SURFACE OF THE RIVER - CONTINUOUS JOHN pulls KARL up, lifting his head out of the river. Water pours from KARL's mouth, then he begins to retch, then vomit. JOHN holds him firmly as he guides KARL toward the riverbank. The Essenes are chanting and swaying - louder and louder. KARL (repeating) I'm sorry. I'm sorry. I'm sorry ... The Essenes are louder still. JOHN drops KARL on the bank. KARL, still retching, pushes himself up and stumbles away. JOHN stands tall as he gazes at the Essenes. Suddenly, he raises his staff high � pointed toward heaven. And, with a slashing motion, points it toward the river. The Essenes are louder still. CROSSFADE TO: EXT. BARREN SCRUBLAND - EARLY MORNING KARL begins to stir. His loincloth is damp with dew. It is cold and the false dawn is gray. He looks around. He removes his loincloth and scrubs his face with it. He looks down at his naked body. He notices how thin he has become. KARL I look like an Auschwitz victim. Suddenly, he remembers the previous day. KARL (CONT'D) Oh, no. What have I done? Why did I do that? KARL begins to sob. Shortly it subsides. KARL takes a deep breath. KARL (CONT'D) I must get back. Explain to John. KARL rises and looks around. He wraps the loincloth around his waist. He looks left, then right. He scratches his beard. KARL (CONT'D) Where am I? And where's the camp? KARL looks around again, picks a direction and begins walking away. The further he walks, the smaller he gets until he is a dot on the horizon. CUT TO: EXT. DESERT - NOON It is much hotter. The air shimmers with the heat. The ground is even more barren. KARL shuffles along. He is near exhaustion. His skin burns, he is hungry, and he is very thirsty. There is no sign of anything to eat or drink. His legs are becoming heavier and heavier. He walks mechanically. He looks and sees a hill a few miles in the distance. With great effort, he turns and heads for the it. The sandy soil explodes into clouds of dust as his feet disturb it. CUT TO: EXT. THE BASE OF THE HILLSIDE - LATER Amid a featureless landscape, a bruised and bloodied KARL stands at the base of the hillside. He begins his ascent. It is much more difficult than he could have imagined. The loose stones cause KARL to slip and fall on his face. He uses his torn hands and feet to brace himself � to stop his slide back to the bottom. Using split fingers, he grabs at the tufts of grass and lichen - inching forward. He lunges at the larger outcroppings of rock and drags himself upward toward the summit. Mindless and driven he keeps moving under the searing, relentless sun. Dust cakes to the scant moisture on his body. His loincloth is in shreds. CUT TO: EXT. THE HILLSIDE - KARL'S P.O.V. - CONTINUOUS The summit still seems so very distant. The air shimmers. The world begins to spin and ... CUT TO: EXT. HILLSIDE - CONTINUOUS KARL falls back - sliding back down to the bottom of the mountain. His thigh is gashed; his head is badly bruised. KARL stops sliding. He rights himself and begins climbing again. He is on his hands and knees. On the burning rock. He is no longer a man. Time has lost all meaning. He is just the thing climbing the mountain. CUT TO: EXT. THE SUMMIT - LATER KARL reaches the summit and stops crawling. He rolls on his back and, for a while, lays there blinking. Then he closes his eyes. CROSSFADE TO: EXT. THE SUMMIT - EARLY EVENING KARL lays quietly on the summit asleep. His eyelids begin to flutter. MONICA (V.O.) (from everywhere and nowhere) Karl. Karl. Wake up, Karl. KARL opens his eyes. He raises himself on one arm. He begins to speak through cracked lips. KARL Who ... ? Where are you? Who are you? MONICA (V.O.) You don't even remember me. Don't you remember? You said you would always be with me. KARL Monica? But you're dead. I saw you die. MONICA (V.O.) You were my spirit. My center. My savior. KARL No. No. Not your savior. I loved you, but ... MONICA (V.O.) But what? You pulled me back from the abyss. Because of you I was able to put my life back together. You became my life. And then you changed. You became hurtful, angry. You hid behind your faith and used it as a weapon. You distanced yourself. KARL But, Monica ... MONICA (V.O.) I BELIEVED IN YOU! You were my hope! You were my light! And you cast me aside. In the end I knew I was empty inside without you. I showed my anger, because I was afraid. And in the end you betrayed our trust. I couldn't bear to go on. You were my light. And it killed me. KARL is silent. The last of MONICA's words - "killed me" - echo in the still night. KARL pulls his ruined body to his feet and stands on the summit of the hill and screams. The ravens are startled. They wheel in the sky and fly away. The sky is darkening. FADE TO BLACK. CUT TO: EXT. A ROAD - DAY KARL stumbles into a town. There is an air of quiet madness about him. As he walks through the streets, dogs yap and nip at his heels, while children laugh and throw pebbles at him. He occasionally stops to talk to people, but they just shake their heads and hurry away. KARL continues to walk. CUT TO: EXT. ANOTHER ROAD - EARLY EVENING KARL comes upon a group of Roman Legionnaires marching in the opposite direction. The CAPTAIN calls a halt and waits for KARL's approach. CAPTAIN You there. Halt. KARL comes to a stop before the CAPTAIN. CAPTAIN (CONT'D) You seem in distress. Tell me, is there someone, a friend or relative, we can take you to? KARL No, sir. The one who I seek is yet many miles distant. And, I fear, I may miss our meeting if I tarry too long. The CAPTAIN looks surprised. CAPTAIN What? You speak the language of Rome precisely. Are you a Rabbi or scholar? KARL No. I am just a man. CAPTAIN (taking pity on KARL) Well, Traveler, you appear hungry. Before you go on your way, accept this dried meat and water for your journey. The CAPTAIN turns and takes a small package and a goatskin bag of water from the man behind him. He gives it to KARL. KARL Thanks to you, sir. The CAPTAIN calls his men to attention and, once again, they begin their march. They leave KARL standing in the middle of the road as they pass. Shortly, he is alone again. CUT TO: EXT. A CROSSROADS - AFTERNOON KARL comes upon a group of people emaciated as himself at the crossroads. He falls in with them. They seem to be on a pilgrimage. CUT TO: EXT. A CAMPSITE ALONG THE ROAD - NIGHT The group made camp and many are sitting around the campfires - all are chanting in prayer. KARL sits silently to one side. Occasionally, one or two come over to KARL and try to engage him in conversation. He remains silent. Soon they leave him alone. As the fires die out, they stop praying and lay down for sleep. KARL stays sitting. CUT TO: EXT. THE ROAD - DAY KARL is still with the group. Some seem to be gravitating to him � walking behind him. CUT TO: EXT. ANOTHER CAMPSITE - NIGHT The group, with KARL among them, has set up camp for another night. The cooking pots are over the fires and a low murmur of prayer is heard. Suddenly, a group of soldiers on horseback gallop through the camp, knocking over cooking pots and scattering the people. Someone shouts, "Herod's Soldiers!". The women are screaming and the men run off into the night. Shortly all have gone except two women and KARL. The leader of the soldiers stops before KARL. He dismounts, grabs KARL by the hair and pulls him to his knees. He spits in KARL's face. LEADER OF HEROD'S SOLDIERS Are you one of these rebels we have been hearing so much about? KARL mutters and shakes his head. The LEADER cuffs him. KARL is so weak he falls to the ground. LEADER (to his men) There are no arms here. There are no rebels here. Just these miserable excuses for people. We have been grossly misled. He notices his soldiers eying the two women. LEADER (CONT'D) Those two? If you want them - if you are hard up enough - you can have them. CUT TO: EXT. KARL'S FACE AS HE LIES ON THE GROUND - CONTINUOUS KARL lies there. The grunts and laughter of the soldiers are drowned out by the screams of the women. Their agony, as they are gang-raped, is reflected in KARL's eyes. Soon the screams die down - there is only the laughter and shouts of the soldiers. The LEADER calls for them to assemble. They mount up and ride away. KARL begins to weep. CUT TO: EXT. TOWN OF PELLA - DAY KARL stops at an outdoor shop. He is dressed in rags. He looks like a madman. He beckons to the shopkeeper. KARL Excuse me, sir. I am looking for the way to Nazareth. SHOPKEEPER Are you a seer or a prophet? Do you need food or drink? KARL That would be appreciated. As would information about the road to Nazareth. Suddenly, a woman stumbles to the shop and falls to the ground before KARL. WOMAN Oh, help me! I am blind. I am blind! My eyes! My eyes! KARL kneels down by the wailing woman. He puts his hand on the top of her head. He slides his hand under her chin and raises her face. He puts his other hand over he eyes. KARL (to the woman) Shhhhh. (a pause.) Close your eyes. Think of Adonai. He loves you - He loves all of us. He has sent us a gift of His love in the flesh of His Son. (a pause.) Open your eyes. The WOMAN slowly opens her eyes. She looks directly at KARL. WOMAN (hushed) I can see. (louder) I can see! (shouting.) I CAN SEE! CUT TO: EXT. NAZARETH - DAY Nazareth is a clean and prosperous town, thriving on Roman commerce. Only one or two beggars are on the street, and they are well fed. As KARL staggers through the market square, people stare at him curiously, but with a little suspicion. He could be a wandering prophet, or possessed by devils. He could be a Zealot. He shuffles up to one of the beggars. KARL (in a dry cracked voice) Please tell me - is this Nazareth? BEGGAR Yes, it is. KARL I seek a carpenter. BEGGAR There are many here. Nazareth is known as the city of carpenters. KARL I seek a carpenter named Joseph. BEGGAR There are many carpenters named Joseph as well. A most popular name for carpenters, it seems. KARL Descendant of David? The husband of Mary? The father of Jesus? BEGGAR Oh, THAT carpenter named Joseph. Not one of the better ones. And certainly one of the more disagreeable. KARL is excited. He is close , so close. KARL Where can I find this Joseph? BEGGAR (pointing) Down yonder street. Just look for the man who never laughs. KARL thanks him and staggers toward Joseph's house. CUT TO: EXT. THE HOUSE OF JOSEPH - 15 MINUTES LATER KARL observes a dour man sitting on a bench just outside the doorway carving a bowl. He notices that the planks of timber leaning against the house are of poorer quality than those of the neighboring carpenters. KARL approaches the man and touches him on the shoulder. JOSEPH looks up. JOSEPH Go away. I have no money, and we have no food for beggars. KARL No, you misunderstand. I want nothing - just to ask a few questions. JOSEPH Answers are free. But my time is not. Quickly then. KARL Are you Joseph, of David's line, husband of Mary, father of Jesus? JOSEPH Aye, and father of several daughters as well. Too many to feed. Especially with things the way they are. KARL I would like to see one of your children. I would like to speak to Jesus. JOSEPH That good-for-nothing. What has he done now? (a pause) What are you - some kind of seer? Have you come to help my son? KARL I am a prophet of sorts. I need to speak to Jesus. I can foretell the future. JOSEPH (rising) All right. I don't have much time. I have a delivery to make in Nain. Let's go. Quickly. CUT TO: INT. JOSEPH'S HOUSE - CONTINUOUS The house was dark. They enter the kitchen. MARY is standing near a large, clay stove. She has long, black hair hanging unbound and greasy. Her eyes have a smoldering sensuality. She looks KARL up and down. MARY I see you have found another well paying customer. JOSEPH He is a prophet ... MARY Oh, of course. A prophet. And probably hungry as well. We have no food for prophets and madmen. That useless thing ... She motions with her spoon at a huddled mass in the corner. MARY (CONT'D) ... eats enough as it is. JOSEPH He seeks our Jesus. Perhaps he can ease our burden. MARY looks at KARL again - closely. She slowly licks her red lips, letting her tongue linger in the corner of her mouth. MARY Perhaps you may be right - I sense something about him. KARL (hoarsely) Where is he? MARY puts her hands under her large breasts and shifts them under her rough dress. She slides her hands down and slowly rubs her belly. She gives KARL a hooded look. MARY (suddenly) Jesus! The figure in the corner stirs, then rises. MARY (CONT'D) (still staring at KARL) That's him. The figure comes in to the light. It is misshapen. It has a pronounced hunched back and there is a cast in its left eye. The face is vacant and foolish. There is spittle dried around its lips and a strand of drool hangs in the corner of its mouth. KARL (shocked) Jesus? The thing seems pleased to hear its name. It starts to giggle. When it speaks the words are slurred and thick. JESUS (singsong fashion) Jesus. Jesus. Jesus. Jesus. KARL is in shock. MARY He's always been like that. Addled inside and out. You can have him if you want. ( a beat.) I was carrying him when my parents married me off to this half-man ... JOSEPH You sow! You shameless ... JOSEPH stops himself. MARY stares at him daring him to go on. JOSEPH (CONT'D) You had a good story for them, didn't you. The oldest excuse ever. Taken by an angel - taken by a devil more than likely ... MARY (interrupting) Oh, yes. He was a devil. And he was a man. A real man. Before JOSEPH can respond, JESUS giggles again and lurches into the other room. JOSEPH runs after him. JOSEPH No. I will not have him wetting the floor in there again. After JOSEPH is gone, MARY gives KARL an appraising look. MARY If you really can tell fortunes, maybe you can come by sometime and tell mine. He is leaving tonight for Nain. MARY licks her lips again. JOSEPH re-enters the room with JESUS in tow. He put him on a stool in the corner. JOSEPH Now stay there, bastard! KARL can't take it anymore. He turns and bolts from the house. CUT TO: EXT. THE WALL OF THE SYNAGOGUE - NIGHT KARL is sitting with his back against the wall. His head hangs down and his eyes are tightly closed. His stomach grumbles. He is very hungry. KARL I have seen the face of Jesus. KARL opens his eyes and looks upward. KARL (CONT'D) (quietly) I have found the one I sought. KARL rises to his knees. KARL (CONT'D) There is no salve for the ache in my soul. KARL rises and begins to stagger off down the street. KARL (CONT'D) I have seen the face of Jesus. (a beat.) And it is empty. CUT TO: INT. JOSEPH'S HOUSE - LATER THAT NIGHT MARY is sitting at the table. She is alone. The snoring of JESUS in the next room can be heard. There is a knock on the door. MARY rises. She walks to the door and opens it. KARL is standing there. MARY (impatiently) I thought you weren't coming. Come in if you're hungry. (she winks.) Joseph has gone to Nain, but may be back tonight. We must hurry. As if in a trance, KARL allows MARY to lead him into the house. KARL I am hungry. MARY sits him at the table. She feeds him. A meager meal, but more than KARL has eaten in days. MARY Hurry, now. KARL finishes his meal. MARY clears the bowls from the table, then leads KARL to the center of the room. His sun- baked skin stretches taut over his emaciated frame. His loincloth hung in tatters from his waist. MARY begins to circle him like a cat in heat. KARL stands still - very still. He is in shock from the ordeal of his journey and his discovery about JESUS. MARY unties the fasteners of her dress. It falls to the floor. Her circle tightens. Her naked flesh begins to brush against KARL's naked flesh as she continues her sensual journey around him. She drops to her knees in front of him. She tears at his loincloth - pulling it off - and tossing it aside. She pushes him to the floor. She takes him into her mouth. KARL hears a strange sound amidst the slurping and grunting. He looks toward the door to the other room and sees JESUS standing there watching. JESUS is giggling, with spittle hanging from his chin - a vacant look on his face. CUT TO: EXT. JOSEPH'S HOUSE - VERY EARLY MORNING KARL exits the doorway. He is dressed in a clean white robe. MARY puts her hand out and grabs his shoulder. Her other hand goes down and holds his genitals through the robe. MARY If you ever come back this way ... KARL looks at her and briefly smiles. He turns and walks up the street. CUT TO: INT. THE SYNAGOGUE - LATER THAT MORNING The synagogue is cool and quiet. The rabbis lead KARL into the courtyard. They all sit down in the center of the courtyard under an olive tree. ELDER RABBI As is our custom, we give shelter to wandering prophets. Tell us, is there anything you wish to ask? KARL Where is Christ? The rabbis look at each other. The word is unfamiliar. ELDER RABBI Is that Greek? KARL frowns, looking about. KARL (rising) I must rest. ELDER RABBI Wait. Where are you from? KARL stands silently thinking of how to respond. ELDER RABBI (CONT'D) (repeating) Where are you from? A pause. KARL looks at the ELDER RABBI. KARL (murmurs) Ha-Olam Hab-Bah ... KARL turns and walks away. The rabbis repeat "Ha-Olam Hab- Bah". ELDER RABBI (looking at KARL as he moves away) 'Ha-Olam Hab-Bah' - the world to come. 'Ha-Olam Haz-Zeh' - the world that is. Very strange. Another rabbi rises and follows KARL. He stops him. RABBI 2 Do you bring us a message? KARL I do not know. I must rest. I am dirty. I have sinned. RABBI 2 Come. We will feed you and give you a place to sleep. We will show you where to bathe and where to pray. RABBI 2 looks back at the other rabbis and leads KARL off. CUT TO: INT. A ROOM - NIGHT KARL has been bathed and fed. He is sleeping on a straw filled mattress. He begins to toss and turn. And scream. The rabbis stand by the open doorway looking in. They glance at each other. CUT TO: EXT. THE ROAD TO THE LAKE OF GALILEE - ONE MONTH LATER - DAY They follow KARL now. He is dressed in the white linen robe the rabbis gave to him. He stops occasionally and speaks to the crowd of followers. More join as the walk progresses. Newcomers stop to listen - some stay. When he enters Capernaum, there are more than 50 people following. CUT TO:[top | previous | next]
Script created with Final Draft by Final Draft, Inc.